Dee Dee Bridgewater
Memphis…Yes, I’m Ready
Dee Dee Bridgewater is a woman who has lived…well…and in a lot of places. She grew up in Flint, Michigan, recorded her first album in Tokyo, Japan, won her Tony in New York, won her Grammys in L.A., escaped to Paris where she thrived as a pure jazz singer, returned stateside to Nevada where she regrouped, and now resides in New Orleans where there was enough of Mother Africa to sustain her after she’d traced her roots back to Nigeria (musically documented a decade ago on her 2007 album, Red Earth).
Quincy Jones: The A&M Years
Wednesday, September 6, 2017
Concert Reflections by A. Scott Galloway
I’m going to begin this review by stating two things upfront. This salute to Quincy Jones focusing on his early `70s big band albums Walking in Space (CTI/A&M – 1969), Gula Matari (CTI/A&M – 1970) and Smackwater Jack (A&M – 1971) was THE concert in this summer’s Hollywood Bowl Wednesday Night Jazz Series that I was most looking forward to.
Patti LaBelle sits on a throne as among the greatest R&B to Pop singers recording and performing. However, the list of singers that can authentically swing between the Pop world and the Jazz world is a short one highlighted by Aretha Franklin, Patti Austin, Dee Dee Bridgewater, Nancy Wilson (retired) and the late incomparable Natalie Cole and Teena Marie.
Norman Brown | Let It Go
by Peggy Oliver
The musical dexterity of Wes Montgomery has inspired many contemporary jazz guitarists through the years despite his early days as a hard bop musician. One of many musicians who gravitated to this icon was Norman Brown, a huge turning point in studying and performing jazz, despite his earlier influences and interest in Jimi Hendrix and the Isleys.
The Gift of Christmas
A Record Reflection by A. Scott Galloway
Keyboardist/Producer Bob Baldwin eases us into the 2016 holiday season with some much needed aural relief via his 10 song offering, The Gift of Christmas. The CD opens with a pleasant jaunt through Donny Hathaway’s “This Christmas” then lifts off into space for a celestially reharmonized sojourn through Vince Guaraldi’s “Christmas Time is Here.”
A Place for Joey: Celebrating the Passion of 13 Y.O. Jazz Pianist Joey Alexander
by A. Scott Galloway
There’s a very tricky tightrope that young jazz musicians come upon when thrust into the public eye. It is a hurdle that has tripped up many a prodigy over the eras. That is when a teenage or pre-teen wonder arrives at 18 or 21 and no longer has youth as a hype mechanism. Usually what happens is a player who develops or happens upon a lot of chops and ability early on winds up sounding like everybody else when they reach adulthood. What they failed to develop was individualism, adventure and heart. It’s like a young runway model that gets by on youthful freshness yet never develops a style of their own as an adult. In those cases, you just pray their parents saved her money.
Joey Alexander, at 10, Lincoln Center Gala
Marc Antoine | Laguna Beach
by Peggy Oliver
Since he started making a dent in the contemporary jazz market as the R&R elected Best New Artist of The Year, Marc Antoine’s special brand of Spanish-injected stylistic melodies accented by his classical training and pop music background provided an incredibly unique voice and an international impact.