Sade | “Flower of the Universe” (From Disney’s ‘A Wrinkle In Time’)


 
Sade
“Flower of the Universe (from Disney’s ‘A Wrinkle in Time’)”
(Sony)

 
A Record Reflection by A. Scott Galloway
 
Sade peeks over the horizon like a sunrise with a special offering to the soundtrack of the Disney film “A Wrinkle in Time” with the dreamy “Flower of the Universe” – the band’s first studio recording since the Soldier of Love CD in 2010. Mellow as a Zen mantra, the piece recalls past floating and ambient Sade gems such as “I Never Thought I’d See the Day” and “Like a Tattoo.”

Walter Beasley – The Best of Walter Beasley | The Affable Years, Volume 1


 
Walter Beasley – The Best of Walter Beasley | The Affable Years, Volume 1
by Peggy Oliver
 
Once upon a time, a particular nine year old received a life-changing gift of a Grover Washington, Jr. CD. From that moment on, Walter Beasley would dedicate his career to shear excellence — all for the love of music and for the legendary saxophonist they call Mr. Magic.

Sy Smith | Sometimes a Rose Will Grow in Concrete


 
Sy Smith Blossoms into Full Singer/Songwriter Bloom on “Sometimes a Rose…”
 
A Record Reflection by A. Scott Galloway
 
Sy Smith has been a work in progress as a most valuable session and touring singer for others, and a developing artist in her own right with four acclaimed albums behind her. Her latest, Sometimes a Rose Will Grow in Concrete, is her first since 2012, its title foreshadowing that a sister has been through some things but come out the other side steeped in artistry, ancestry and ‘Les Fleur de la Corazon.’

Dr. Lonnie Smith | All in My Mind


 
Dr. Lonnie Smith | All in My Mind
Blue Note Records
by Brent Faulkner
 
Ah, Dr. Lonnie Smith! He’s one of the legendary jazz musicians still alive and well who continues to record sweet music. What makes Smith most unique – besides his beard and turban – is the fact he’s a jazz Hammond B3 organist. While there are numerous organists in jazz, compared to other instruments, it’s rarer.

Soul Man Owens’ Country Cash Project Pays Off Some of the Time


 
Bryan Owens & The Deacons of Soul
Soul of Cash

(LIFE Arts Music)
A Record Reflection by A. Scott Galloway
 
The junction where R&B and Country Music intersect has been traversed by many artists from Charlie Rich, Lucinda Williams and The Rolling Stones going one way to Ray Charles, Esther Phillips and Gladys Knight & The Pips heading in the other. The fourth and latest project by singer Brian Owens & The Deacons of Soul is an intermittently successful yet tight 8-song CD, Songs of Cash, that finds the man and his band tippin’ their Stetsons to one of Country’s tallest figures, Johnny Cash.

Fantasia | Christmas After Midnight


 
Fantasia | Christmas After Midnight
Concord Music
by Peggy Oliver
 
When it comes down to the annual barrage of holiday musical fare, music connoisseurs can be very fickle about their beloved artists singing Christmas set-in-stone standards. Sometimes the best intended orchestrations and re-constructions of hymns and pop pieces fails to elicit anything remarkable from past renditions.

Take 6 LIVE at Jazz Alley in Seattle, WA | Sept. 21st, 2017


 
Take 6 Concert Review
(Mark Kibble, Joey Kibble, Alvin Chea, David Thomas, Claude V. McKnight III and Khristian Dentley)
September 21, 2017
Jazz Alley – Seattle, WA
 
The house was packed and rightfully so as six debonair gentlemen named Take 6 claimed and owned the stage, engaging the audience with their extraordinary repertoire of inventive re-imaginations of pop, jazz and gospel classics, plus a few of their own originals. Most of the night focused on their vocal instrumental interplay and crisp harmony skills, though on a couple of occasions, several members played acoustic guitars and piano.

Dee Dee Bridgewater Returns To Birthplace For Soul Food on Memphis…Yes, I’m Ready


 
Dee Dee Bridgewater
Memphis…Yes, I’m Ready
(Okeh/Sony Masterworks)
 
Dee Dee Bridgewater is a woman who has lived…well…and in a lot of places. She grew up in Flint, Michigan, recorded her first album in Tokyo, Japan, won her Tony in New York, won her Grammys in L.A., escaped to Paris where she thrived as a pure jazz singer, returned stateside to Nevada where she regrouped, and now resides in New Orleans where there was enough of Mother Africa to sustain her after she’d traced her roots back to Nigeria (musically documented a decade ago on her 2007 album, Red Earth).

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