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Paulette McWilliams Concert Review – Catalina Bar & Grill | June 27th, 2012

Paulette McWilliams Re-emerges Vivacious As Ever With Hollywood Jazz Set
Concert Review by A. Scott Galloway
 
Since being formally “introduced” to the world as a guest on Quincy Jones’ R&B-era Lp Mellow Madness in 1975 and later working prominently as a background singer on records and on the road with the late, great Luther Vandross, Ms. Paulette McWilliams is often lazily categorized as a soul singer…though a mighty good one. Truth be told, jazz is her root music – with a lot of class and sass. All were in colorful abundance during a rare one night/one set show in Hollywood last Wednesday (June 27, 2012) at Catalina Bar & Grill where the lady slid in to showcase music from her long-awaited first American album in four decades, Telling Stories (not counting the 2007 Japanese import-only, Flow).
 
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(Photo: Malcolm Ali)

3 Brave Souls | John Beasley / Daryl Jones / Ndugu Chancler

3 Brave Sould - John Beasley
 
3 Brave Souls
John Beasley / Daryl Jones / Ndugu Chancler
(BFM Jazz)
by Peggy Oliver
 
Occasionally, I ponder about what truly inspires bands or vocal groups in choosing their names and what their thought process was behind it. For instance, the name 3 Brave Souls sparked immense curiosity. After checking their musical background, I particularly noted that John Beasley, Daryl Jones and Leon ‘Ngudu’ Chancler had one major common bond. These veteran musicians represented three generations who played behind modern jazz trumpet pioneer Miles Davis.

Kenny G & Rahul Sharma | Namaste India

Kenny G - Namaste II
 
Kenny G & Rahul Sharma
Namaste India
(Concord)
By Peggy Oliver
 
Since the mid-eighties, Kenny G’s distinct aesthetic soprano saxophone has been a strong force in the smooth jazz community. G (which stands for his last name Gorelick) initially paid major dues with jazz fusion giant Jeff Lorber. Like many superstars in waiting, the Seattle, WA native’s solo triumph was not immediately realized when he released his debut in 1982. Album sales were more respectable on his second and third releases but the breakthrough arrived in 1986 with his fourth disc, Duotones, and the smash jazz/R&B single “Songbird,” which sealed Kenny G’s longevity in the industry.

Eric Benét | The One

Eric Benet - The One
 
Eric Benét
The One
(Warner Bros.)
by Brent Faulknerer
 
Eric Benét’s sixth studio album The One picks up where 2010’s Lost in Time left off – with Eric continuing to play into his role of soul-revivalist and soul-preserver. The One is filled with and characterized by lush productions comprised of strings, horns, swirling electric piano, organ and harmonized vocals. That said, The One does not bring anything ‘new’ to the table that one hasn’t heard form Benét. It does, however, add another sound effort to Benét’s underrated musical output. Face it – that falsetto is ‘killer.’

Gerald Albright & Norman Brown | 24/7

Gerald Albright - Norman Brown 247
 
Gerald Albright & Norman Brown – 24/7
Concord Music Group
By Peggy Oliver
 
If one is seeking the perfect summer smooth jazz breeze, or better yet, a super sweet jazz treat for all seasons, there is one special project that is a must hear headlining two of the contemporary jazz’s most respected musicians. Multi-instrumentalist Gerald Albright, who has backed superstars from Phil Collins to The Temptations, and guitarist Norman Brown (compared frequently to George Benson) who began with Motown’s custom label Mo Jazz in 1992, finally connect for a retro jazz/R&B anchored ride entitled 24/7.

K’Jon | Moving On

K'Jon - Moving On
 
K’Jon | Moving On
Up & Up Records
By Peggy Oliver
 
It is fair to say that extreme talent and intense perseverance have not always expedited opening music industry doors. Many well-deserving vocalists and musicians strive to find their niche before they strike a chord with an audience and land their first major radio exposure. Singer/songwriter K’Jon’s story is like many who dream to touch others with their music. Since he was eight years old, K’Jon figured that music was his way of life.

SWV | I Missed Us

SWV - I Missed Us II
 
SWV | I Missed Us
(Mass Appeal/eOne Music)
By Brent Faulkner
 
SWV (Sisters With Voices) was a popular 1990‘s female R&B trio comprised of Tamara “Taj” George, Cheryl “Coko” Clemons and Leann “Lelee” Lyons. SWV return with 2012’s I Missed Us, their fourth studio effort and first new album in fifteen years since 1997’s Release Some Tension (excluding 1999’s A Special Christmas). Remarkably, middle age has done nothing to curtail the trio’s magical voices.

Anita Wilson | Worship Soul

Anita Wilsonm - Worship Soul
 
Anita Wilson | Worship Soul
(EMI Gospel)
By Peggy Oliver
 
On most live gospel recordings, it is customary for the church’s pastor or gospel music luminary to introduce the artist to the congregation.  During the introduction for Worship Soul by Anita Wilson, her mentor Donald Lawrence pays this worship leader and singer/songwriter a significant compliment: “With a style all her own and a tone all her own.” 

Ryan Shaw | Real Love

Ryan Shaw - Real Love
 
Ryan Shaw | Real Love
(Dynotone)
Bu Susan Mutharia
 
When he started singing in the church choir at the age of 5, Ryan Shaw may not have understood the full potential of the seed he was sowing. The Decatur, Georgia native did not listen to secular music growing up so his influences were all deeply rooted in Gospel. In 1998 when the seed was budding, Shaw joined the cast of Tyler Perry’s stage play ‘I Know I Have Been Changed’. His journey after that is a combination of hard work and divine connections. Now the seed has blossomed into a two-time Grammy nominated singer that can undoubtedly engrave his name next to great soul singers like Raphael Saadiq, Lenny Kravitz, Anthony Hamilton and even Sam Cooke.

Bob Baldwin Presents “Betcha By Golly Wow – The Songs Of Thom Bell”

Bob Baldwin - Betcha By Golly Wow
 
Bob Baldwin Speaks On “The Spark of Magic” of Thom Bell
by A. Scott Galloway
 
Once upon a time, a ubiquitous Bell tolled throughout the land.  It was the sound of music at its creamy dreamiest, crooned hearts-on-sleeves by groups with mystical monikers like Stylistics, Delfonics and Spinners.  T’was a time when real men feared not to sing of love and romance in phrases like “You Are Everything” and “You’re as Right as Rain.”  Their inescapable signals were carried on the wind by the multitudes, massaging the magic in their own inimitable ways. In this time of soul-warming enchantment circa `70, hearts throbbed to the pulses of true love and romance…the symphonic soul soundscapes of Maestro Thomas Randolf Bell.

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