Walter Beasley | Backatcha!

Walter Beasley | Backatcha! By George Strand

Something can be said about this guy.

Contemporary Jazz has something in music that can stand envy to all musical genre’s. A legacy of true heart and soul musicians from over the years, who stood the test of time perfecting their talents on any particular instrument: Sax, Trumpet, Bass, Drums, Harmonica, Piano, Keyboards, Trombone, etc…etc..etc…You name it. And dropped some of the most heartwarming, stimulating tracks on vinyl from over the decades.

If there should ever be a Contemporary Jazz Hall of Fame, you better believe Walter Beasley‘s name should be inducted in that line or list without a doubt. No question.

See friends, good music stands the test of time. And it doesn’t matter if any track becomes a number one hit, or a mainstream single. What matters is if and when a musician decides to keep releasing quality (yes, QUALITY) music regardless of pressure, of hype, or need and build a solid foundation of music that could easily be found through research or study. For nostalgia or reflection of their storied career. 14 albums later and a prodigious task of being a professor at Berklee College of Music, as well as other endeavors on the sidelines, Mr. Beasley stays true to that mark of consistency with the release of “Backatcha!” on Shanachie Records.

The disc comes off smooth and funky, progressive and finessed. Nothing dull about the track-to-track delivery. All pretty much the same jazzy styling Walter is well known for.

The playback to classic, “Lovely Day” was intriguing, considering how Walter took hold of the ‘lead vocals’ position and ran all the way up the street with it. A very nice fervent sound! Just go ahead and add that credit to his long list of accolades. “Expressway” steps into play with a driving beat and a pulsating rhythm. “Ellie’s Theme” was something I’m sure Isaac Hayes would have come back to appreciate. A good rendition.

Another cover, “Ooh Child” was touched creatively and interpreted magically. “Baby That’s Backatcha” displays that distinctive charming saxophone through a smooth delivery over a pulsating grooveline – much in likeness to many Grover Washington Jr’s earlier mixes. “Find Your Love”, “The Call” & “When You Least Expect It” are the mid-tempo songs remaining on the disc, while the candlelight, romantic, submissive, quiet storm melodies Walter is well known for comes back to life in songs, “Hurry Up This Way Again” (a cover from Patrice Rushens’ original version on album, “Signature” ~ 1997) and “Simply Put.”

And I also acknowledged solid contributions from producers Chris Davis & Phil Davis.

In all, I give “Backatcha” a relaxed 4- out of 5.

One thing I would like to personally note: While in recent years R&B & Jazz music has lost a significant roster of talents, singers and musicians – who had passed on, many great talents are still amongst us today. Since 1987, Mr. Beasley has charmed his way into our ears with his unparalleled character of excellence, consistency of albums and a passion unsurpassed for musical education. I present a toast to you, Mr. Beasley, for keeping us in touch with your music and for being around when we need to hear more refreshing sounds of contemporary jazz music. The landscape may shift slightly for all of jazz music, but listeners like myself are still here seeking good music like this.

George Strand
The Urban Music Scene