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Janet + Summer = Strawberry Smash (“No Sleeep” Single Review)

Janet-Jackson-2015 (1)
 
Janet Jackson – “No Sleeep”
Single Review
by A. Scott Galloway
 
Janet’s “No Sleeep,” the lead single from a forthcoming project potentially to be titled Conversations in a Café, is a sensual, laid back, easy-on-the-ears groove – something she does very well and that her writing/production partners Jimmy Jam & Terry Lewis make to seem effortless. It’s a smooth summer song (think “…And On and On..,” “That’s The Way Love Goes”) and Jam & Lewis did an excellent job of creating an aural space for Janet’s singular sound.

Tamia | Love Life

Tamia - Love Life
 
Tamia | Love Life
Def Jam Recordings
by Darnell Meyers-Johnson
 
Tamia was literally picked from obscurity 20 years ago when Quincy Jones auditioned her for his 1995 album Q’s JOOK JOINT. Her solo feature, “You Put A Move On My Heart” became the set’s lead single and earned Tamia the first of her six Grammy nominations. The rest, as they say, is history.

Reggae Legends Third World Rock Playboy Jazz Festival Day 2

Playboy Jazz Festival – Day 2 – Sunday June 14, 2015
 
A Concert Reflection by A. Scott Galloway
Photos: Mathew Imaging
 
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Brown Bunnies of Playboy
 
An afternoon of tradition and roots gave way to an evening of mash-ups and fusions for the second day of the 37th Annual Playboy Jazz Festival at the Hollywood Bowl.

37th Annual Playboy Jazz Festival Proves An Avalanche of Diversity

Playboy Jazz Festival – Saturday June 13, 2015
 
Concert Reflection by A. Scott Galloway
Photos: Mathew Imaging
 
June gloom morphed into jazz-soul glory for Saturday June 13, 2015 – the first day of the 37th annual Playboy Jazz Festival – a day of great music that found the heat slowly and consistently escalating to the very end.
 
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Honeys at Playboy

Maysa | Back 2 Love

Maysa - Back 2 Love
 
Maysa | Back 2 Love
(Shanachie)
by Brent Faulkner
 
It has been argued that R&B has been suffering an identity crisis for some years. Questions arise like ‘should R&B musicians mold themselves into pop artists for relevancy and commercial lucrativeness,’ and ‘should they embrace the explicit, salacious conformity that has become part of seemingly every genre?’

Saun & Starr | Look Closer

Saun & Starr
 
Saun & Starr | Look Closer
By Peggy Oliver
 
Call it coincidence or better yet, call it destiny when two or more people immediately connect with each other while managing to continue their circle of life through various spaces of time. Sandra ‘Saun’ Williams and Starr Duncan-Lowe grew up a short distance from each other in The Bronx, New York. Yet it was their meeting at a local talent show that began their journey of a much respected friendship – musically and personally – and the rest is more than history.

Con Funk Shun | More Than Love

ConFunkShun - More Than Love
 
Con Funk Shun | More Than Love
By Peggy Oliver
 
When someone speaks of ‘absence making the heart grow fonder,’ it could take on a number of scenarios, especially a reuniting of a musical group that once broke their bonds and then returns again for old time music making sake. Con Funk Shun, one of the influential seventies and eighties R&B-funk ensembles, emphatically brought their audiences to the dance floor and oozed the best in romance.

Footprints: Lalah Hathaway Live at The Troubadour, April 21, 2015

Lalah Hathaway – Troubadour – Tuesday April 21, 2015 (10PM show)
A Concert Reflection by A. Scott Galloway
Show Photography: Arnold Turner
 
Jazz composer/saxophonist Wayne Shorter wrote a piece entitled “Footprints” that within its original instrumental structure conveyed volumes about the dual weight and gravity of upholding lineage and legacy. On a cool Tuesday evening in West Hollywood over the course of two shows, singer/songwriter Lalah Hathaway proudly upheld her end of the genealogical bargain in highly anticipated concerts steeped in the Black Pool of music history. Not only was she performing at The Troubadour nightclub – ground zero for where her father Donny Hathaway recorded the most thrilling half of a “Live” LP 43 years prior in August of `71 – she was recording her shows for CD and DVD, too. This is high hallowed territory for not only is Donny Hathaway Live (Atco 33-386 – 1972) arguably the greatest live album of all time, it is the greatest album of all time. A second volume titled In Performance was released 8 years later containing as many gems as the first.
 
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The Troubadour marquee (Photo: Wendy Smith-Brune’)

Isha Love | Jars of Waters

Isha Love - Jars of Water
 
Isha Love | Jars of Waters
by Peggy Oliver
 
The main attraction for me when artists piece together impactful music is how they pour their genuine heart out for their craft, especially for the independent musician. Before diving into those independent waters, Isha Love began playing the piano at an early age before she realized her career in high school as a musician in the jazz market, along with an extensive discipline in classical music.

James Lloyd | Here We Go

James Lloyd - Here we go
 
James Lloyd | Here We Go
by Peggy Oliver
 
So what should a musician do when one is a year shy of celebrating 40 years with one of the most prolific contemporary jazz groups? How about diving in and record their first solo endeavor. That is the scenario and longtime dream realized for James Lloyd, one of the founding members of Pieces of a Dream. By the way, this just happens to be a very special 50 years-young birthday gift for this Philadelphia native.

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